Cor Hogendijk
Music : Amelander Juttersbitter.
Longways, duple proper.

Al 1-3 lady 1 and couple 2 circle three to the left. 
       lady 1 finishes with her back to her partner.
   4   lady 1 pops through the arch made by
       couple 2 to the place of lady 2. 
       lady 2 finishes in lst lady's place, the man in
       his own place.
   5-8 Contras back to back.
A2 1-3 lady 1 and the two men circle three to the left. 
       lady 1 finishes with her back to lady2
   4   lady 1 pops through the arch made by the
       two men to the 2nd man's place. Man 2 
       finishes in 2nd lady's place, man 1 in his own place.
   5-8  Partners back to back.
Bl 1-4 Ladies chain halfway.
   5-8 Couple 2 a half figure of eight through couple 1.
B2 1-4 Partners swing, finishing in original place.
   5-8 Couple 1 casts into the 2nd place and arms right, a while 
       couple 2 dance up to the lst place and turns as a
       around (c.c.w.). 

(Dedicated to Pat Shaw, on the occasion of his 25th Christmas course in the Netherlands.)

Cor Hogendijk
Music : Wodka and Beerenburger.
Longways, duple improper.

A 1-4 Partners back to back.
  5-6 Partners Cross passing right shoulder.
  7-8 Contras pass right shoulder moving backwards.
  9-16 Repeat 1-8 from new places.
  17-20 Right hands across all the way round.
  21-24 In right hands across position: set right
        (to the center) and left (away from the
        center) and single turn to the right.
  25-28 Left hands across all the way.
  29-30 partners set right and left.
  31-32 Contras change places: men cast to their
        right to the place of the contra ladies,
        while the ladies move on to the contra men's
        place with a single turn.

In memory Of Pat Shaw

Cor Hogendijk
Music . De Duyvel op een been (HLB) .
Longways ,duple minor improper,

Al 1-4 All set right and left to partner and
       single turn once and half to face out.
   5-6 Contras giving inside hands, change places
       as a couple, the men moving forwards
       (like in the Bishop) 
   7-8 Partners cross passing left shoulder.
A2 1-8 Repeat from new places.
Bl 1-4 Right hands across all the way round.
   5-6 Circle 4 to the right halfway (progression).
B2 1-2 All dance a single turn to the right in 2
       setting steps, finishing in the middle of
       the longways set facing partner. Men 1 and
       ladies 2 face up, men 2 and ladies 1 face down
   3-4 Partners set right and left.
   5-6 All dance a single turn to the right in 2
       setting steps, finishing in the original
       line but in progressed places.

Cor Hogendijk
Music : De Haarlemmerdijk (HLB) or Eliza Jane
(Barn Dance II).
Longways, duple improper.

Al 1-4 Contras back to back.
   5-6 Circle four halfway to the left.
   7-8  Partners change places turning with both hands.
A2 1-4  Partners back to back.
   5-6  Circle four halfway to the left.
   7-8  Contras turn with both hands a little more
        than halfway, the ladies finishing nearly
        right shoulder to right shoulder.
Bl 1-4  The ladies pass right shoulder and again
        pass right shoulder back to places, while
        the men pass left shoulder and again pass
        left shoulder back to places.
Use 2 flat change-hop steps and 4 walking
steps for this movement.
  5-8  Partners set right and left and change
       places with half a right hand turn.
B2 1-4 Right hands across (2 ch.h.steps and 4 w. steps).
  5-8   Left hands across (2 ch.h.steps and 4 w. steps).

Cor Hogendijk
Music : A lively reel of 32 bars.
Partners side by side in two facing lines.
Even number of couples. The couples progress
counterclockwise.

Al 1-4  Arming right with the girl on the left
        (permanent contra) and left with the partner.
   5-8    Repeat Al 1-4 
A2 1-8 Ladies' chain with the couple opposite.
Bl 1-4  Couples promenade diagonally to the right to
       the "hole" beside side in two facing lines.de their opposite couple and
       turn as couple c.c.w. to face in.
  5-8  All, except the end couples, pass the
       opposite giving right hands. Men promenade
       their partner c.c.w. into the original line
       to face new opposite couple.
B2 1-4 Circle left all the way with opposite couple.
  5-8  Swing opposite, finishing facing permanent
       contra. At the end of the dance swing partner.

Cor Hogendijk
Music A lively reel of 32 bars.
Even number of couples.
partners side by side in two facing lines.
The couples progress clockwise.

Al 1-4  Right hands across with couple opposite,
        finishing facing out.
  5-8  Give left hand to the girl now on the man's
       right (permanent contra) and dance a half
       courtesy turn to face in, in changed places.
       set as couple to opposites.
A2 1-4 Contra partners separate (except end contra
       partners) : men to their left and girls to their
       right, to a right hands across with the next
       dancer in own line and the new opposites
  5-8  Contras pass right shoulder to swing partner
       in original places.
Bl 1-4 Ladies' chain half way with couple opposite.
   5-8 Half poussette c.c.w., men push partner.
       End couples: the man his partner's left hand
       in his right. The partners change places,
       the girl passing under the arch of the
       raised arms (progression).
B2 1-4 Ladies' chain half way with the couple in line.
   5-8 Half poussette c.c.w., men push the "ladies'
       chain" girl (progression).

Cor Hogendijk
Music : 't Kwezelken (traditional) or St. Patrick's
Day (Country Dances by Haywood and Newton) ,
Three facing three (Man between two girls),

Al 1-4  Circle six halfway to the left (4 flat
        change-hop steps).
  5-6  Left hand turn halfway with opposite dancer,
  7-8   Lines of three with joined hands set right
       and left (the girls have changed places).
A2 1-2  Lines of three 4 slip steps to the right,
        moving slightly forwards 
  3-4 Lines of three 4 slip steps to the left)
       moving slightly forwards to face next three,
   5-6 Lines of three 4 slip steps to the right,
       moving slightly backwards.
  7-8  Lines of three 4 slip steps to the left)
       moving slightly backwards to original Places (A2. 1.).
Bl 1-4 All back to back with opposite.
   5-10 Circle three (or basket) to the left of man
        with the girl who is on his right and the
        opposite girl, once and half. Finish in
        lines with man in the middle facing the
       other three lines across the original position.
B2 1-4 All back to back with opposite (men
       together and the girls of the same three together).
   5-10 Straight hey for three. The man starts
        right shoulder with the girl, who was
        originally on his right.
       Finish facing next three.

Cor Hogendijk
Het wad“ or 3 X 16 bars jig time.
Longways of 3 couples 2 improper

Al 1-8 Partners set, turn single and swing- Couple
       2 finishes facing couple 3
A2 1-2 Couples 2 and 3 change places: couple 2
       making an arch.
      Having changed places: partners of couple 2
      change places by turning the girl under
      man's right arm (California Twirl) -
      All men are now in the same line 1 3 2
  3-8 Circle six all the way to the left,
      finishing in new places.
Bl 1-4 partners pack to back.
   5-8 The corners, man 2 and girl 1, cast to their
       right and change places: while man 1 with
       girl 3 and man 3 with girl 2 change places
       with a right hand turn one and a half times.
B2 1-4 opposites back to back.
   5-8 The corners, man 3 and girl 3, cast to their
      left and change places, while man 2 with
      girl 2 and man 1 with girl 1° change places
      with a left hand turn one and a half times.
Cl  1-4 New opposite contras set right and left and
       a single turn.
   5-8 Man 2 and girl 1 (in middle places) go to
       their right for a hands three with the end
       couples. Circle three to the left a half time
       Man 2 and girl 1 pop through the arch of .
       their "circle" couple, pass right shoulder
       to face the other end couple. 
C2 1-4 Right hands across of three to complete
       one and a half times round 
   5-8 Left hand turn with partner, finishing in
       progressed places 
’Repeat the dance twice more.

or THE VLEUTER

Cor Hogendijk
Music : Log Cabin (Swing partners) OT similar tune
of 32 bars like the Heswall
(Kenton Ramblers play Pat Shaw) .
Form : Single circle, any number of couples,
all facing the center.

Al 1-4 All to the center dancing "side and close"
       and "side and close" to the right and then to the left.
   5-6 All set right and left facing the center.
   7-8 All turn single to the right halfway, to face out.
A2 1-4 The circle formation dances away from the
       center "side and close" and "side and
       close" to the left and then to the right.
   5-6 All set left and right.
   7-8 All turn single to the left to face center.
Bl     Hey of three figure.
   1-8 Dance a right shoulder gipsy with the
       partner and then a left shoulder gipsy with
       the person, who was originally behind.
Variation: the men dance this track facing
the center. That means: move sideways to the
right, then to the left and again to the right.
B2 1-4 Men 4 steps to the center, turn to the left
       and 4 steps away from the center, while the
       girls dance 4 steps out, turn to the left
       and dance in for 4 steps.
   5-8 Swing contra (new partner).

Cor Hogendijk
Music : Farmer's Jamboree or other 32 bar jig.
Form: single circle, any number of couples, all facing the center.

Al 1-4  All to the center setting to the right
        and left, and back with 4 back steps.
   5-6 Rigadoon step facing the center: feet
       together, right foot out, left foot out, feet together.
   7-8 Circle 4 slip steps to the left.
A2 1-6 Repeat Al 1-6  
   7-8 Rigadoon step facing partner.
Bl 1-4 Partners back to back starting right shoulder.
   5-8 Partners change places with a right arm
       Hullichan-swing to finish facing new partner.
B2 1-4 New partners back to back starting left shoulder.
   5-8 Swing new partner in ballroom hold.

Cor Hogendijk
Music : Frisian Duck or Mac Friesian's March
Form : Sicilian Circle.

Al 1-4  Half a ladies' chain.
   5-8 Partners swing and change places.
A2 1-4 Half a ladies' chain across.
   5-8 Half poussette with partner c.w., to
       original places.
Bl 1-4 Circle left all the way.
   5-8 Dip and Dive figure: "the Duck".
       Contra couples take inside hands and change
       places (the outside contra couple making an
       arch),and all turn away from each other to
       face the dancer on the other side of them (4 steps).
       New contra couples take inside hands and.
       change places (the outside contra couple
       making an arch), and turn away from each
       other to face original contra again (4 steps).
B2 1-8 Hands four to make a clover formation:
       outside couple makes the arch and inside
       couple ducks through the arch, turns away
       from each other bringing inside hands over
       their heads. Swing in clover formation once
       and a half, finishing facing new couple.

Ernst van Brakel (1980)
Music : The village Bells
Four couples in a square

Al 1-8 All go pack to back with partner, set ang turn single. 
A2 1-8 Half a grand chain. starting with partner,
   5-8 The men dance right hands across halfway to
       partner's original place, while the ladies go
       counterclockwise to their partner's original.
       place; all set.
Bl 1-8 Repeat Al. from new positions.
B2 1-4 Half a grand chain, starting with partner.
   5-8 The ladies dance right hands across halfway to
       their original places. while the men go CCW-
       back to their original places; all set.
A3 1-8 Double right and left through, 1st and 3rd
       couple starting by giving right hand to partner,
       while 2nd and 4th couple start by giving right
       hand to opposites (N.B. This figure should be
       danced with a short and a long crossing for 1
       and 3 and a long and a short crossing for 2 and 4).
A4 1-8  2nd and 4th couple dance half a ladies' chain,
        while lst man and 3rd lady cast off and meet
       behind the couple in 2nd place, where they
       swing briefly, and lst lady and 3rd man cast
       off and meet behind the couple in 4th place,
       where they swing.
   5-8 All, with new partner, half promenade to make
       one line of four on the opposite side (from fig.
B3 1-8 The lines go forward and back; all dance a
       grand chain plus
B4 1-8 one extra change (starting with lst man facing
       2nd lady, 2nd-man facing 3rd lady, 3rd man
       facing 4th lady, and 4th man facing 1st lady);
       all swing original partners, finishing in
       square formation with lst couple in 2nd couple's
       original place, 2nd couple in 1st place, 3rd
       couple in 4th place, and 4th couple in 3rd place.

Repeat once more with side couples as head couples.

or THE DRUNK'S DELIGHT

Ernst van Brake) (1979)
Music : 40 bar reel, e.g. The Duchess of Buccleug,
Form : Four couples in a square

Al 1-8 1st and 3rd couple dance right and left
       through, starting by crossing with opposite
       while 2nd and 4th couple dance right and
       left through, starting by changing places
       with partner. (This figure is called
       "double right and left through.)
A2 1-4 1st and 3rd couple dance half a ladies’
       chain (the men dancing into their partner's
       place while the ladies cross over, giving
       right hand; then the men turn the approaching
       lady by the left hand, as in Parson's
       Farewell). Meanwhile, 2nd lady and 4th man
       cast into top place and cross over, giving
       left hand, while 2nd man and 4th lady cast into
       bottom place and cross over, giving left hand.
   5-8 2nd and 4th couple dance half a ladies’ chain
       as above, while 1st man and 3rd lady cast up
       and lst lady and 3 man cast down and cross
       over,. giving left hand, all finishing in two
       lines of four 
Bl 1-8 The line with 1st man in top place dances
       back to back with the person in the opposite
       line one place down, passing left shoulder
       to begin with. All set to the same person
       and change places, giving right hand.
       (Those who do not have somebody facing them
       for the back to back, dance the back to back
       around an imaginary person, then set and
       turn single.)
B2 1-8 The line with the 3rd lady in top place
       dances back to back with the person in the
       opposite line one place down, passing right
       shoulder to begin with. All set to the same
       person and change places, giving left hand.
       (Those who do not have somebody facing them,) :
C 1-8 All set twice to (new) partner on opposite
      side and swing into square formation again

Repeat three times to get back to original places. 

Jaap Krug (1979)
Music : Bolger's Hornpipe, Sharp's Hornpipe,
or a hornpipe of a similar speed.
Longways, duple minor, improper.
A lot of room between the couples.
Step : A very relaxed one-two—three—hop throughout the dance.

Al 1-4 Back to back with corner, starting left shoulder.
   5-8 Turn corner left arm (underarm grip) two and
       a half times (progression) into a
A2 1-4 Varied form of the North Country ladies’
       chain across the set and back. Always two
       bars for one crossing. (Keep it wide!) Then
       giving left hands to the men, the ladies
       pass under the men's left arms. As soon as
       they have passed under these arms, the men
       change hands and turn towards the ladies to
      lead them round. The ladies end not too far
      from each other.
Bl 1-8 The ladies cross over left shoulder (1 bar)
       and turn left (1 bar). This movement is
       repeated 3 times. Having danced on the spot
       for 1 bar, the men cross right shoulders on
       the second bar, turn right, cross right
       shoulders again, etc. On each bar either
       the ladies or the men cross.
B2 1-4 The ladies turn exactly twice by the left
       arm (underarm grip), while the men describe
       a square or a circle clockwise around them.
   5-8 The men turn twice by the right arm, while
       the ladies describe a square or a circle
       counterclockwise around them,

English folkdancing are held at the Henri Dunant House at Zeist.

(for wife) Jaap Krug (1979)
A quiet romantic waltz, 32 bars.
Men in the inner circle facing their partners
in the outer circle.

Al 1-2 Giving right hands to partners, balance
       forwards and back.
   3-4 Keeping right hands partners change places,
       the men making a quarter turn to the right,
       the ladies passing under the men's arms and
       making a 3/4 turn to the left ("Curlique").
   5-8 Turn partners once (right hand).
A2 1-4 The men move clockwise around the outer
       circle, while the ladies dance counter-clock-
       wise around the inner circle.
       All turn left and dance back.
   5-8 Partners turn left hand once and a bit. Men
       now face the next lady on the diagonal.
Bl 1-8 With this lady balance forwards and back,
       taking right hands. Then "Box the gnat",
       i.e. change places, the ladies passing under
       the raised arms. End facing each other
       (still on the diagonal).
   5-8 Still with right hands joined all start a
       circular hey (men moving clockwise). After
       having passed partners by the left all come
       to ballroom hold with the third dancer one meets.
B2 1-4 Waltz counter-clockwise around the circle
       and end with the men facing the wall.
   5-8 Two chassés moving counter-clockwise and ;
       two clockwise. Drift apart at the end,
       taking right hands.

(For those who have plenty of room.)

Jaap Krug (1980)
Music A 32 par jig played twice,
Sicilian Circle, The couples with the men
in the Outer Circle are first Couples,

Al 1-8 The first couples cross diagonally between
       their second couples (ladies in front) to
       the place of the next first couple (exactly
       2 bars)  dance behind the next second couple
       and come in the same way back to places, i.e.
       first Crossing ang then Passing behind,
A2 1-8 They continue with the same figure in the
       opposite direction,
Bl 1-8 The second couples dance behind their first
       couples to the next second couple's place,
       (2 bars), cross diagonally to one second
       place farther (2 bars), and come back home
       in the same way (first passing behind).
B2 1-8 They continue with the same figure in the
       opposite direction.
A3,4  The figures of A1 and A2.and Bl and B2. are
      danced simultaneously.
      Every 2 bars 2 couples are passed. 
B3 1-8 Double figure of eight with own contra 
       couple. Again the first couples start
       crossing diagonally. The second couples 
       start continuing on the outside.
B4 1-4 Back to back with this same couple. Walking
       step. The first couple starts by passing on.
       the inside.
   5-6 Set right and left to partner. 
   7-8 First couple casts and second couple moves up.

(For a really large circle of experienced dancers

Jaap Krug (1980)
Music A medium-speed reel or Jig.
Couples in a circle, facing CCW

Al 1-4 Taking nearer hands and starting with out-
       side foot the couples walk four steps
       counter-clockwise and then do a California
       Twirl i eh partners change places, the
       ladies passing under the men's arms, to end
       facing clockwise.
   5-8 Repeat 1-4 in the opposite direction. End
       hear partner.
A2 1-4 Balance out and in twice and at the end take
       ballroom hold (men facing the wall).
   5-8 Partners dance counter-clockwise along the
       circle (balance step).
Bl 1-3 Partners face each other and, extending arms
       to the side, hold hands at shoulder level
       ("Butterfly hold").
       The men face the wall. All set counter-clock-
       wise, clockwise, counter-clockwise.
    4 All set clockwise and the lady is "wrapped",
      i.e. while holding hands she is turned 3/4 to
      the left, passing under her partner's left
      arm, the man making a quarter turn to the
      left. All now face counter-clockwise. The
      lady's arms are crossed (left arm under). The
      man holds his right arm behind his partner's back.
  5-7 In this position all dance counter-clockwise
      along the circle, using a balance step.
  8   While the lady moves on, the man balances
      backwards. He takes his partner's right hand
      from his left hand into his right one, to
      make her face him.
B2 1-4 Circular hey, starting right hand. The men
      move counter-clockwise. Balance step. All
      pass four dancers.
  5-8 Swing the fifth dancer (new partner). 

Jaap Krug (1980)
A quiet 32 bar reel or jig with a well
phrased music.
Sicilian Circle, The couples with the men
in the outer circle are first couples, In order
to start the dancers 1n the inner circle face
the dancers who were originally behind them.

Al 1-2 The dancers in the outer circle pass their
       contraries, left shoulder and make a half turn
       right, while the dancers in the inner circle
       do the same with those who were originally
       behind them.
  3-4  Everybody passes the same dancer left shoulder
       again (no turn) .
  5-6 The dancers in the outer circle pass those
      who were originally behind them right shoulder
      and make a half turn left, while the dancers
      in the inner circle do the same with their
      contraries.
  7-8 All return home, passing the same dancer right
      shoulder again (no turn).
A2 1-4 All turn partners with the right hand half
       way and still holding hands partners change
       places, the ladies turning under the arms of
       the men, ("Box the gnat") .
  5-8 Partners back to back.
Bl 1-4 The men turn each other with the left arm
       (underarm grip) 1% times, while the ladies
       describe a half circle clockwise around their
       partners, to meet them (first progression).
  5-8 All swing partners and end the swing facing
      the direction in which they started it 
      {First man and second woman facing the wall).
B2 1-4 The ladies turn the lady of the next couple
       11/2 times (left arm), while the men describe
       a half circle clockwise around their partners
       to meet them(second progression) .
  5-8 Swing partners. At the end do not make any
       extra turns, but go straight into the next round.

Jaap Krug (1979)
Music : “Vier Weverkens”.
Form : Couples in a circle. Ballroom hold.
Men facing clockwise.

Al 1-3 Waltz round with partner one and a half times.
       Drop hands at the end.
   4.  All make an individual half turn to the right,
       ending almost back to back with partner. The
       men, who face clockwise, end a little nearer
       to the wall.
  5-8 Right hand turn with the next lady ("second
      partner") not quite once round. End in ballroom- hold.
A2 1-4 Like Al, but with "second partners".
  5-8 Right hand turn with the next lady ("third
       partner") one and a half times. End back to
       back with her, facing "fourth partner".
A2 1-4 Like Al, but with "second partners".
  5-8 Right hand turn with the next lady ("third
      partner") one and a half times. End back to
      back with her, facing "fourth partner".
Bl 1  A chassé diagonally forwards to the right.
  2-4 Set and honor in the same direction, taking
      leave from "fourth partner".
  5-8 The same movement diagonally forwards to the
      left, coming back to back with "fourth partner"
      and honoring the next dancer ("new first partner").
  9-10 Half a right hand turn with this dancer.
  11-12 "Box the gnat',i.e. change places, still hol-
        ding right hands, the lady turning under the
        man's arm. Come to starting position. 

(For Mrs. Sentrop, our beloved hostess at the Henri Dunant House.)