or Slow men of London
Neal 1726
Fogg/Jackson 1990
Duple minor longways

Al 1-4 1s set right and left to partner and cast down into 2nd place, 2s moving up.
A2 1-4 Is set right and left to partner and cast up into 1st place, 2s moving down.
B1,B2 1-8 1s whole figure eight down through the 2s (skipping).

A3 1-4 All four right hands across.
A4 1-4 All four left hands across.
B3 1-4 Partners set right and left, twice.
B4 1-4 Three changes of a circular hey, starting with partner.

Video: https://upadouble.info/dance.php?id=TheHumoursOfDublin&publication=The%20Playford%20Assembly

The theory of the four humours, which, according to long-standing tradition, was developed by the semi-legendary physician Hippocrates, understood the human body as comprised of four essential fluids: blood, yellow bile, black bile, and phlegm. A human being in perfect health had all of these, correctly mixed and proportioned. An imbalance in favor of any one of them produced “temperaments,” or personality types: the free and lively sanguine, the quick-tempered and ambitious choleric, the depressive and solitary melancholic, and the peaceable and sluggish phlegmatic.
By the 18th century, “humour” was more likely to mean more generally a whim, mood, or fancy. There were many tunes and dances that evoked this lighter conception of the term— “The Humours of Covent Garden” “The Humours of the Bath” and “The Humours of the Age”.

no music