Longways

   Men take hands and fall back a double, forward turning single; 
   then women the same.
   Hands-4, 4 slips L, all turn single; hands-4, 4 slips back, all turn single.
   Circular hey 4 changes, partners facing; 
   1st couple lead down  while 2nd couple cast up.

Sharp, 1916
Walsh 1718, 1755
Duple minor longways

A  1-4 Men take hands and fall back a double, then come forward turning single right
   5-8 Women take hands and fall back a double, then come forward turning single right.
B1 1-8 All four circle left (2 bars), then turn single (2 bars); 
       All circle right (2 bars), then turn single (2 bars) *
B2 1-4 Four changes of a circular hey, starting with partner.
      1s meet and lead down into 2nd place, while 2s long cast up into 1st place. 

+Sharp did not specify the direction of the turns single, but right shoulder was standard at the time. Dancers now may prefer: circle left, turn single left; circle right, turn single right.

Graham Christian (2015) spurns the modern-era notion that morris dancing was a strictly male occupation. He cites numerous historical examples of women morris dancing, beginning with Will Kemp's morris dance from London to Norwich in the year 1600, when after he left his position of principal clown in the troupe The Chamberlain's Men (see “annotation:Kemp's Jig” for more). He was joined by women morris dancers twice during the journey.

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