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ins_highway7 [2017/03/21 17:54] nashjc created |
ins_highway7 [2019/04/23 20:15] nashjc |
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====== Ottawa to Peterborough or Highway 7 ====== | ====== Ottawa to Peterborough or Highway 7 ====== | ||
- | (John Nash, 20161219) | + | |
- | Revision 2017-2-4, 2017-2-22. | + | John Nash, 2016-12-19, revised 2017-2-4, 2017-2-22, 2017-4-1 |
Music: A Minor Slip Jig, by Martha Stokely 2006. | Music: A Minor Slip Jig, by Martha Stokely 2006. | ||
- | A recording is on the Childgrove CD entitled Wanderlust. | ||
- | A1 C1 lead down past C2, get (slowly) gated down by NEXT C2 | + | A recording is on the Childgrove CD entitled Wanderlust.{{ ::music:minor_slip_jig_a--020.mp3.zip |}}\\ |
- | 1/2 figure 8 UP through original 2s who may step up slightly, | + | {{ ::music:minorslipjig-highway7-dhpedh05.mp3.zip |}} |
- | then C1 cross into middle of line of 4 (M2 M1 W1 W2), ending | + | |
- | so M2 M1 and W1 all face W2. | + | <code> |
+ | A1 C1 lead down past C2. All C2 two small step close up to | ||
+ | avoid set drifting down the hall. C1 get gated down and around | ||
+ | by NEXT C2, then 1/2 figure 8 UP through original 2s, | ||
+ | then C1 cross into middle of line of 4 (M2 M1 W1 W2), | ||
+ | ending so M2 M1 and W1 all face W2. | ||
A2 Dolphin hey, W1 starts leading M1, RSh to W2 end with C2 above | A2 Dolphin hey, W1 starts leading M1, RSh to W2 end with C2 above | ||
- | in progressed positions (adjusting to avoid line creep), looping | + | in progressed positions (adjusting if necessary to avoid line creep), |
- | (C1 turn S R) to face partner, using all the music. C2 may have | + | looping (suggested C1 turn S R) to face partner, using all the music. |
- | time for a similar loop, depending on their choice of pace. | + | C2 may have time for a similar loop, depending on their choice of pace. |
- | B Slow B2B partner, Partners cross R in slow, wide 1/2 gypsy, | + | B Big B2B partner, Partners make big crossing R, either hole in the wall |
- | then partner 2H turn half way. C1 end facing down. | + | or flattened 1/2 gypsy, then partner 2H turn half way. C1 end facing down. |
+ | </code> | ||
Notes: | Notes: | ||
+ | |||
+ | - The dance uses space, and may be unsuitable to a crowded floor. | ||
- The musical phrases are quite long, so the dance movements are relatively | - The musical phrases are quite long, so the dance movements are relatively | ||
- | relaxed and need to be fitted to the music. In trials, dancers found this | + | relaxed and need to be fitted to the music. Experienced dancers find |
- | fairly natural. The curving and slowness reflect the nature of Highway 7 | + | this fairly natural. The curving and pace reflect the nature of Highway 7 |
on the Ottawa to Peterborough route. | on the Ottawa to Peterborough route. | ||
- | - The first lead down requires some couples to imagine the second C2. | + | - The first lead down requires bottom C1 to imagine the second C2. |
- Couple 2 needs to ensure they get into progressed position at the end of | - Couple 2 needs to ensure they get into progressed position at the end of | ||
- | the dolphin hey to keep the set from drifting, particularly down. | + | the dolphin hey to keep the set from drifting, particularly down. The step |
+ | close movements at the start of each round help with this. | ||
+ | |||
+ | - Suggestions from members of Ottawa English Dance Club gratefully acknowledged. | ||
+ | |||
+ | --- //[[nashjc]] 2017/05/09 15:33// | ||
+ | |||