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- | Tythe Pig | + | ====== Tythe Pig ====== |
- | + | The Dancing Master Vol. 1 9th ed. 1695.\\ | |
- | <code> | + | Duple minor proper\\ |
- | The Dancing Master Vol. 1 9th ed. 1695. | + | Tune: Tythe Pig |
- | Duple minor proper | + | <code> |
A1 The 1. man back to back with the 2. wo. | A1 The 1. man back to back with the 2. wo. | ||
A2 The 1. wo. back to back with the 2. man | A2 The 1. wo. back to back with the 2. man | ||
- | Long 10 bar B | + | B Long 10 bar |
- | Facing neighbour Clap own hands once (,) with sides R once, own and sides L | + | Facing neighbour Clap own hands once (,) with sides R once, own and sides L |
(clap R, clap L for short) | (clap R, clap L for short) | ||
- | then with 4 counts all four turn S. by turning the long way (out, ¾) | + | then with 4 counts all four turn S. by turning the long way (out, ¾) |
- | to face partner then clap both hands with your Partner once and as you | + | to face partner then clap both hands with your Partner once and as you |
- | do so with next 3 counts cast off, then with 8 counts lead through and | + | do so with next 3 counts cast off, then with 8 counts lead through and |
- | cast off again. | + | cast off again.</code> |
- | From John Garden: | + | ====== TYTHE PIG ====== |
- | The tune is an adaptation of one used in Dryden’s King Arthur. 6 bars are added at the | + | |
- | beginning of the original B music and the last two bars are not repeated as in the original. | + | Purcell, Playford 1695, 6/4, 2 steps per bar |
- | In the dance I have opted for a slightly different B part phrasing to that suggested | + | <code> |
- | by Nicholas Broadbridge and Marjorie Fennessy in their Purcell’s Dancing Master. | + | A1 1-4 1st corners back to back |
- | There the dancers clap own hands before clapping partner’s…. take one bar and the | + | A2 1-4 2nd corners back to back |
- | first cast just one bar, clapping with corner taking twice as long as that with | + | B 1-2 face neighbours and clap own hands twice, neighbours twice |
- | partner and has the first cast given only half the time of the second cast off. | + | 2-4 All turn single away from neighbour |
- | Neither is really ideal, as the clapping with partner is much shorter than with | + | 5-6 Face partners and clap as above |
- | neighbour (unlike, for example, in Dezais Les Mariners, .etc… but it does seems | + | 7-8 1st couple cast, 2s lead up |
- | to follow the musical phrase (the turn single contained to two bars of similar music). | + | 9-10 C1 lead up and cast again, 2s stand still</code> |
- | By having the partner clap on the first beat of the B part’s 5th bar, you don’t | + | |
- | take too much time from the first caste and you can consider both bars 5-6 and 9-10 | + | |
- | casting bars – thus the descending melody.</code> | + | From **John Garden**: |
+ | The tune is an adaptation of one used in Dryden’s King Arthur. \\ | ||
+ | The history: "STAFFORDSHIRE STORY: THE TITHE PIG"\\ | ||
+ | https://johnstoncollection.org/STAFFORDSHIRE-STORY-The-Tithe-Pig~64631 |