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ins_installation [2019/05/08 18:44] mar4uscha |
ins_installation [2023/07/24 02:31] (current) mar4uscha |
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====== The Installation ====== | ====== The Installation ====== | ||
1772 -- 3 couples, longways \\ | 1772 -- 3 couples, longways \\ | ||
- | Recording: {{ ::music:installation-bnah5-01.mp3.zip |}} | + | |
+ | |||
+ | Recording: {{ ::music:installation-bnah5-01.mp3.zip |}} | ||
<code> | <code> | ||
- | |||
A1 8 Crossover mirror hey, 1's crossing | A1 8 Crossover mirror hey, 1's crossing | ||
A2 8 Crossover mirror hey, 1's crossing back | A2 8 Crossover mirror hey, 1's crossing back | ||
- | |||
B1 4 1's half figure eight down through the 2's | B1 4 1's half figure eight down through the 2's | ||
4 Partners two-hand turn | 4 Partners two-hand turn | ||
- | |||
B2 4 3's half figure eight up through the 2's | B2 4 3's half figure eight up through the 2's | ||
4 Partners two-hand turn | 4 Partners two-hand turn | ||
- | |||
C1 4 Take hands in a ring of six and step-swing right, left, right, left | C1 4 Take hands in a ring of six and step-swing right, left, right, left | ||
4 Gents face ladies on right Three changes of a right and left grand | 4 Gents face ladies on right Three changes of a right and left grand | ||
- | |||
C2 8 Repeat C1 | C2 8 Repeat C1 | ||
- | |||
D1 4 1's cross and go down one place while the 2's move up | D1 4 1's cross and go down one place while the 2's move up | ||
4 1's half figure eight up through the 1's | 4 1's half figure eight up through the 1's | ||
- | |||
D2 4 1's and 3's dance five changes of rights and lefts, beginning with partners | D2 4 1's and 3's dance five changes of rights and lefts, beginning with partners | ||
4 1's continue outside to bottom place while the 3's lead up to middle place</code> | 4 1's continue outside to bottom place while the 3's lead up to middle place</code> | ||
+ | |||
+ | |||
+ | ====== The Installation ====== | ||
+ | |||
+ | |||
+ | Three couple longways, G Major/Minor, 6/8 | ||
+ | Twenty Four Country Dances (Thompson), 1772. The Playford Ball, Kate Van Winkle Keller and Genevieve Shimer (CDSS), 1994. | ||
+ | |||
+ | <code> | ||
+ | A1 1-8 Crossover mirror-image hey (1st woman and 3rd man | ||
+ | pass left shoulders to start; | ||
+ | 1st man and 3rd woman pass right shoulders to | ||
+ | start). 1st couples end improper at the top. | ||
+ | A2 1-8 1st couple crossing again, mirror hey on own side. | ||
+ | All end in original place. | ||
+ | B1 1-4 1st couple half figure eight down through 2nd | ||
+ | couple. | ||
+ | 5-8 Partners two-hand turn. | ||
+ | B2 1-4 3rd couple half figure eight up through 2nd couple. | ||
+ | 5-8 Partners two-hand turn. | ||
+ | C1 1-4 Taking hands in a ring, all step-swing right and | ||
+ | left, twice. | ||
+ | 5-8 Men facing woman on their right, three changes of a | ||
+ | grand right and left. | ||
+ | C2 1-8 Repeat C1 from these places. End in original place, | ||
+ | 1st and 3rd couples improper. | ||
+ | D1 1-8 1st couple cross by left shoulder, go below (2nd | ||
+ | couple moving up), dance half figure eight up | ||
+ | through 2nd couple. | ||
+ | D2 1-4 Starting with partner, bottom two couples (original | ||
+ | 1st and 3rd, both improper), four quick changes of | ||
+ | a circular hey (no hands). | ||
+ | 5-6 Same two couples pass partner by right shoulders, | ||
+ | then - | ||
+ | 7-8 1st couple continue down the outside to bottom | ||
+ | place, as 3rd couple lead up center to 2nd place.</code> | ||
+ | |||
A rambunctious, exciting dance in three parts, full of energy and movement. Given enough space, dancers will sail through the A music, making large loops in the heys and figure eights. The C music is a complete change of pace, sounding (and feeling) more like a Russian folk dance! The finale resumes the quick pace, finishing with a nifty set of changes to progress and propel everyone into the next round from new places. A real workout, especially for the first couple in each round. | A rambunctious, exciting dance in three parts, full of energy and movement. Given enough space, dancers will sail through the A music, making large loops in the heys and figure eights. The C music is a complete change of pace, sounding (and feeling) more like a Russian folk dance! The finale resumes the quick pace, finishing with a nifty set of changes to progress and propel everyone into the next round from new places. A real workout, especially for the first couple in each round. |