This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
ins_female_sailor [2017/12/09 14:23] nashjc [THE FEMALE SAILOR] |
ins_female_sailor [2019/04/15 23:26] (current) nashjc |
||
---|---|---|---|
Line 1: | Line 1: | ||
- | FEMALE SAILOR (also spelled SAYLOR) | + | ====== FEMALE SAILOR ====== |
+ | (also spelled SAYLOR, SAYLER) | ||
- | Playford Ball, reconstruction by Pat Shaw | + | Playford Ball reconstruction by Pat Shaw\\ |
+ | Video: http://dancevideos.childgrove.org/ecd/playford/101-female-saylor | ||
| | ||
<code> | <code> | ||
Line 16: | Line 18: | ||
place while 2nd couple turn two-hands moving up center one place. | place while 2nd couple turn two-hands moving up center one place. | ||
</code> | </code> | ||
+ | |||
+ | Recordings:{{ ::music:female_saylor_the--043.mp3.zip |}}\\ | ||
+ | {{ ::music:female_sayler--011.mp3.zip |}} | ||
==== THE FEMALE SAILOR ==== | ==== THE FEMALE SAILOR ==== | ||
Line 21: | Line 26: | ||
32-bar duple-minor longways; moderate-easy. | 32-bar duple-minor longways; moderate-easy. | ||
- | dance & tune: FeuilletlEssex, 1710; alternate tune, Peirce MS. | + | dance & tune: Feuillet l' Essex, 1710; alternate tune, Peirce MS. |
<code> | <code> | ||
Line 33: | Line 38: | ||
then 1s turn halfway around with 2 hands and cast off (2s move up) | then 1s turn halfway around with 2 hands and cast off (2s move up) | ||
</code> | </code> | ||
+ | |||
+ | ==== FEMALE SAILOR - Equalized ==== | ||
+ | |||
+ | This version of Female Saylor by Peggy Roe tries to equalize the participation of C1 and C2. | ||
+ | |||
+ | <code> | ||
+ | A1 2s lead up through their 1s, and cast down. | ||
+ | 1s lead down through 2s, cast up, and flow into... | ||
+ | A2 1s half figure 8 down, and 2-hand turn. | ||
+ | End improper, facing opposite gender neighbour. | ||
+ | |||
+ | B1 Neighbours back to back and 2-hand turn | ||
+ | B2 Partners back to back. | ||
+ | 1s cross and cast down while | ||
+ | 2s meet* and lead up | ||
+ | </code> | ||
+ | |||
+ | *B2 to A1 transition: If the 2s take some time to meet (bars 5 & 6) they can make B2 flow into the lead up of A1 without stopping. | ||
+ | |||