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ins_peace_and_plenty [2023/12/02 15:18] nashjc created |
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====== Peace and Plenty ====== | ====== Peace and Plenty ====== | ||
- | Music in Dancing Master of 1728 | + | Music in Dancing Master of 1728\\ |
+ | Recording on Bare Necessities, //Fast Friends//\\ | ||
+ | 1728 English Dancing Master version\\ | ||
+ | Interpretation by James Hargrove\\ | ||
+ | Duple minor proper | ||
+ | Tune: Peace and Plenty | ||
+ | <code> | ||
+ | 8 1s cast down as 2s move up | ||
+ | 8 1s lead down through new couple and cast up | ||
+ | 8 lead out with neighbour and back | ||
+ | 8 2s lead down through 1s and cast up | ||
+ | |||
+ | 4 1^st corners change | ||
+ | 4 2^nd corners change | ||
+ | 4 Circle halfway | ||
+ | 4 Turn single | ||
+ | 16 Four changes of rights and lefts, starting with partner | ||
+ | </code> | ||
+ | {{ :wiki:peaceandplenty1728.jpg?400 |}} | ||
+ | ===== Gary Roodman circa 2009. ===== | ||
+ | |||
+ | 4 couple set. C1 and C3 improper | ||
+ | |||
+ | <code> | ||
+ | End couples cast to middle; middle couples move out. | ||
+ | Actives (C1 and C4 now in middle) RH turn. | ||
+ | Middles 2 changes R & L | ||
+ | |||
+ | Ends (original C2 and C3) cast to middle, current | ||
+ | middles to ends. | ||
+ | Middles RH turn partner | ||
+ | |||
+ | Middles 2 changes R & L | ||
+ | Middles: Back to back neighbour 3/4. When L shoulder to | ||
+ | L shoulder, turn L single to face other way into | ||
+ | |||
+ | Back to back middles with ends (neighbours), turn and | ||
+ | REVERSE back to back. | ||
+ | |||
+ | Lead out from centre with person met (partners on ends, | ||
+ | neighbours in middle), and back. | ||
+ | Middles RH across (star) half way. | ||
+ | |||
+ | At each end LH across 1/2 way. | ||
+ | Be ready at ends to cast immediately to start next round. | ||
+ | </code> | ||
Video: https://www.youtube.com/watch?v=13VvFbDUnRE | Video: https://www.youtube.com/watch?v=13VvFbDUnRE | ||
+ | |||
+ | ====== PEACE AND PLENTY ====== | ||
+ | |||
+ | Four couple longways, 1st and 3rd couples improper, 1y Minor, 2/2\\ | ||
+ | Even Odder Calculated Figures (Roodman), 2009.\\ Tune “Peace and Pleny | ||
+ | or “Old Oxford” from The Dancing Master, Vol. 11, 4th Fd. (Playford as | ||
+ | <code> | ||
+ | Al 1-4 End couples cast to the middle into right-hand turn with | ||
+ | partner once around; middle couples move to ends. | ||
+ | 5-8 Couples in the middle two changes of rights and lefts | ||
+ | (with hands, beginning with partner). | ||
+ | A2 1-4 New end couples cast to the middle into right-hand turn, | ||
+ | with partner once around; middle couples move to ends. | ||
+ | 5-8 Couples in the middle two changes of rights and lefts. | ||
+ | [Set is now turned halfway around. ] | ||
+ | |||
+ | B1 1-4 BACK-TO-BACK WITH A FLIP: With neighbor along the | ||
+ | line, back-to-back about three-quarters, until left to left | ||
+ | with neighbor and | ||
+ | At the very last moment, turn left (toward neighbor) | ||
+ | to face back the other way (now right to right with | ||
+ | neighbor.) | ||
+ | 5-8 REVERSE BACK-TO-BACK: Fall back, come forward and | ||
+ | pass by the left back to place. | ||
+ | B2 1-4 ALL LEAD AWAY: With the person you meet (partner at | ||
+ | top and bottom, neighbor in the middle), lead away | ||
+ | from the center, then turn and lead back into | ||
+ | 5-8 TWO HALF STARS: Middle couples, right hands across | ||
+ | halfway, into left hands across halfway with end couples.</code> | ||
+ | NOTES\\ | ||
+ | Al A2 3-4 This right hand turn once around is very quick. | ||
+ | 81 This figure is a variation of Fried Herman's face-en-face figure. The difference | ||
+ | being the “flip” of “turn around” is in the middle of the back-to-back | ||
+ | and leaves dancers side by-side \\ | ||
+ | The timing in B1 usually requires a little emphasis. The flip around comes | ||
+ | on the last beat \\ | ||
+ | B2 5-8 Make the two stars with movement and drive, flowing right into the next | ||
+ | round for the new end couples | ||
+ | A fairly energetic and exciting four couple dance. There must be drive | ||
+ | throughout, but also precision. ; | ||
+ | |||
+ | |||
+ |