ins_merry_salopians
Differences
This shows you the differences between two versions of the page.
| Last revision Both sides next revision | |||
|
ins_merry_salopians [2014/07/15 21:50] 127.0.0.1 external edit |
ins_merry_salopians [2019/12/15 01:45] mar4uscha |
||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | <code> | + | |
| - | THE MERRY SALOPIANS; or Women and Wine (aka The Old Mill)—3-cu. set (3/2) (G) | + | ====== THE MERRY SALOPIANS ====== |
| - | Dance: The Merry Salopians (or Women and Wine), Walsh, 1718 | + | **or Women and Wine (aka The Old Mill)** |
| + | |||
| + | 3-cu. set (3/2) (G) Walsh, 1718 | ||
| Tune: The Old Mill, Brian Jenkins | Tune: The Old Mill, Brian Jenkins | ||
| Reconstruction: Tom Cook | Reconstruction: Tom Cook | ||
| - | Tom Cook, Hunter’s Moon, pp. 24-25 | + | Hunter’s Moon, pp. 24-25 |
| Recording: Boston Centre Series, vol. I, by Bare Necessities (see The Old Mill) | Recording: Boston Centre Series, vol. I, by Bare Necessities (see The Old Mill) | ||
| + | <code> | ||
| A1 1-6 1st man cast below 2nd man, R-hd. turn 3rd wo., | A1 1-6 1st man cast below 2nd man, R-hd. turn 3rd wo., | ||
| - | <code> | ||
| cast above 2nd wo. to ptnr’s. orig. place, | cast above 2nd wo. to ptnr’s. orig. place, | ||
| WHILE 1st wo. balance back, follow ptnr. around | WHILE 1st wo. balance back, follow ptnr. around | ||
| 2nd man, cross set below 2nd cu., cast up around | 2nd man, cross set below 2nd cu., cast up around | ||
| 2nd wo., & cross to ptnr’s. orig. place, turn L to face ptnr. | 2nd wo., & cross to ptnr’s. orig. place, turn L to face ptnr. | ||
| - | 7-8 1st cu. L-hd. turn halfway (orig. places).</code> | + | 7-8 1st cu. L-hd. turn halfway (orig. places). |
| A2 1-6 1st wo. cast below 2nd wo., L-hd. turn 3rd man, cast above 2nd man to ptnr’s. | A2 1-6 1st wo. cast below 2nd wo., L-hd. turn 3rd man, cast above 2nd man to ptnr’s. | ||
| - | <code> | ||
| orig. place, WHILE 1st man balance back (as 1st wo. above), ending turning R to face ptnr. | orig. place, WHILE 1st man balance back (as 1st wo. above), ending turning R to face ptnr. | ||
| - | 7-8 1st cu. R-hd. turn halfway (orig. places).</code> | + | |
| + | 7-8 1st cu. R-hd. turn halfway (orig. places). | ||
| B 1-6 1st cu. (R-hd. in R) lead down middle [[3|steps]], face the we. (1st man below), | B 1-6 1st cu. (R-hd. in R) lead down middle [[3|steps]], face the we. (1st man below), | ||
| - | <code> | ||
| then mirror heys across the set (1st man w. 3rd cu.: pass R-sh. w. 3rd wo.; 1st wo. | then mirror heys across the set (1st man w. 3rd cu.: pass R-sh. w. 3rd wo.; 1st wo. | ||
| w. 2nd cu.: pass L-sh. w. 2nd wo.). | w. 2nd cu.: pass L-sh. w. 2nd wo.). | ||
| - | 7-8 1st cu. R-hd. turn 3⁄4 to middle places (improper).</code> | + | 7-8 1st cu. R-hd. turn 3⁄4 to middle places (improper). |
| A3 1-4 1st cu. cross R-sh., cast to the top (proper), face down, turn S away, | A3 1-4 1st cu. cross R-sh., cast to the top (proper), face down, turn S away, | ||
| - | <code> | ||
| & again face down (2nd & 3rd cus. face up). | & again face down (2nd & 3rd cus. face up). | ||
| + | |||
| 5-8 1st cu. lead down the middle to the btm. (other cus. follow up the outside), | 5-8 1st cu. lead down the middle to the btm. (other cus. follow up the outside), | ||
| 1st cu. cast up to middle place (2nd cu. | 1st cu. cast up to middle place (2nd cu. | ||
| remain at btm., 3rd cu. finish at top). | remain at btm., 3rd cu. finish at top). | ||
| (Note: prog. is 3, 1, 2.)</code> | (Note: prog. is 3, 1, 2.)</code> | ||
| - | <code> | + | |
ins_merry_salopians.txt · Last modified: 2023/04/21 15:53 by mar4uscha
Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Noncommercial-Share Alike 4.0 International
