ins_jacob_halls_jig
Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision | ||
|
ins_jacob_halls_jig [2019/10/31 13:29] nashjc |
ins_jacob_halls_jig [2023/10/26 02:42] (current) mar4uscha |
||
|---|---|---|---|
| Line 1: | Line 1: | ||
| ====== Jacob Hall's Jig ====== | ====== Jacob Hall's Jig ====== | ||
| - | Note a simplified version at the bottom of the page. | + | Note the Pat Shaw simplified version.\\ |
| Playford, //The Dancing Master//, 1695-1728.\\ | Playford, //The Dancing Master//, 1695-1728.\\ | ||
| Cecil Sharp, //The Country Dance Book, Part IV//, 1916.\\ | Cecil Sharp, //The Country Dance Book, Part IV//, 1916.\\ | ||
| Line 28: | Line 27: | ||
| 5-8 Ones lead up and cast down to progressed place. | 5-8 Ones lead up and cast down to progressed place. | ||
| </code> | </code> | ||
| + | |||
| + | |||
| + | Video: https://www.youtube.com/watch?v=NuMhi6z_B4E&t=91s | ||
| Cecil Sharp added the turns with partners in A1 and A2.\\ | Cecil Sharp added the turns with partners in A1 and A2.\\ | ||
| Line 48: | Line 50: | ||
| </code> | </code> | ||
| video https://www.youtube.com/watch?v=N1BE3UNAcLE | video https://www.youtube.com/watch?v=N1BE3UNAcLE | ||
| + | |||
| + | == abc notation of tune == | ||
| + | |||
| <code> | <code> | ||
| Line 61: | Line 66: | ||
| K:E minor | K:E minor | ||
| Q:3/8=120 | Q:3/8=120 | ||
| - | "Em"E2ed2^c|"G"B3"D"A3|"Em"G3/2A/BA2G|"D(Bm)"F3D3|"Em"E2ed2e|"Bm"f3B2B|"A"^c3/2d/e "Bm"ed2|"Em"e3-e2z:| | + | "Em"E2ed2^c|"G"B3"D"A3|"Em"G3/2A/BA2G|"D(Bm)"F3D3|"Em"E2ed2e| |
| - | |:"G"d2d d3/2^c/B|"D"A2AA2F|"Em"G3/2A/BA2G|"Bm"F3D3|"Em"E2ed2e|"Bm"f3B2B|"A"^c3/2d/e "Bm"ed2|"Em"e3-e2z:| | + | "Bm"f3B2B|"A"^c3/2d/e "Bm"ed2|"Em"e3-e2z:| |
| + | |:"G"d2d d3/2^c/B|"D"A2AA2F|"Em"G3/2A/BA2G| | ||
| + | "Bm"F3D3|"Em"E2ed2e|"Bm"f3B2B|"A"^c3/2d/e "Bm"ed2|"Em"e3-e2z:| | ||
| </code> | </code> | ||
| + | ==== In Samuel Pepys diary ==== | ||
| + | |||
| + | In one sentence in the entry for August 29, 1668 (England was until 1752 on the | ||
| + | Julian calendar), we get mention (with perhaps corrupted spelling) | ||
| + | of no less than three dance titles. | ||
| + | |||
| + | ''So I out, and met my wife in a coach, | ||
| + | and stopped her going thither to meet me; and took her, and Mercer, | ||
| + | and Deb., to Bartholomew Fair, and there did see a ridiculous, obscene | ||
| + | little stage-play, called “Marry Andrey;” a foolish thing, but seen by | ||
| + | every body; and so to Jacob Hall’s dancing of the ropes; a thing worth | ||
| + | seeing, and mightily followed, and so home and to the office, and then | ||
| + | to bed.'' | ||
| + | |||
| + | Jacob Hall [2] was a 17th century tight-rope dancer and acrobat whose agile performances delighted diarist Samuel Pepys and others of the era. He was a some-time lover of the mistress of Charles II, Lady Castlemain, the Duchess of Cleveland, who took revenge on the king for neglecting her. | ||
| + | |||
| + | https://tunearch.org/wiki/Annotation:Jacob_Hall%27s_Jig_(2) | ||
ins_jacob_halls_jig.1572528579.txt.gz · Last modified: 2019/10/31 13:29 by nashjc
Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Noncommercial-Share Alike 4.0 International
