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+ | ==== CDS Boston Centre volume 5, At Home ==== | ||
+ | | ||
+ | Bare Necessities | ||
+ | | ||
+ | CD | ||
+ | | ||
+ | <code> | ||
+ | {|class="wikitable sortable" style="background:#ffffdd;color:black;width:95%;" border="1" | ||
+ | !TrackID!!DanceName!!Timing!!Reps*Bars!!Tunes!!class="unsortable"|Notes | ||
+ | |- | ||
+ | |BN5ah-01||Installation, The|| || || || | ||
+ | |- | ||
+ | |BN5ah-02||Astonished Archeologist, The|| || || || | ||
+ | |- | ||
+ | |BN5ah-03||Lull Me Beyond Thee|| || || || | ||
+ | |- | ||
+ | |BN5ah-04||Argeers|| || || || | ||
+ | |- | ||
+ | |BN5ah-05||Hunsdon House|| || || || | ||
+ | |- | ||
+ | |BN5ah-06||Shrewsbury Lasses|| || || || | ||
+ | |- | ||
+ | |BN5ah-07||Fain I Would|| || || || | ||
+ | |- | ||
+ | |BN5ah-08||Merry Andrew, The (regular)|| || || || | ||
+ | |- | ||
+ | |BN5ah-09||Hyde Park|| || || || | ||
+ | |- | ||
+ | |BN5ah-10||Broom, the Bonny, Bonny Broom|| || || || | ||
+ | |- | ||
+ | |BN5ah-11||Love and a Bottle|| || || || | ||
+ | |- | ||
+ | |BN5ah-12||Merry Andrew, The (slow)|| || || || | ||
+ | |- | ||
+ | |BN5ah-13||Chelsea Reach|| || || || | ||
+ | |- | ||
+ | |BN5ah-14||Leah's Waltz|| || || || | ||
+ | |- | ||
+ | |BN5ah-15||Epping Forest|| || || || | ||
+ | |- | ||
+ | |BN5ah-16||Once a Night|| || || || | ||
+ | |- | ||
+ | |BN5ah-17||Mrs. Pomeroy's Pavane|| || || || | ||
+ | |- | ||
+ | |BN5ah-18||Sir Watkin's Jig|| || || || | ||
+ | |- | ||
+ | |BN5ah-19||Jovial Beggars|| || || || | ||
+ | |- | ||
+ | |BN5ah-20||Oxford Circus/Parson's Farewell|| || || || | ||
+ | |- | ||
+ | |BN5ah-21||Merry, Merry Milkmaids, The|| || || || | ||
+ | |- | ||
+ | |BN5ah-22||Randolph Farewell|| || || || | ||
+ | |- | ||
+ | |}</code> | ||
+ | |||
+ | |||
+ | Return to [[RecordedMusic]]; return to [[CD_Table]] | ||
+ | |||
+ | |||
+ | <code> | ||
+ | ??? to incorporate in table | ||
+ | 1. The Installation Twenty Four Country Dances (Thompson), 1772. The | ||
+ | Playford Ball, Kate Van Winkle Keller and Genevieve Shimer (CDSS), 1994. | ||
+ | 3-COUPLE LONGWAYS G MAJOR/MINOR 6/8 64 BARS AABBCCDD 3X 3:23 | ||
+ | 1ST C: AT 0:32 | ||
+ | 2. The Astonished Archeologist Dance by Philippe Callens. Tune "Goff Hall" | ||
+ | by Dan Lanier. Continental Capers, Philippe Callens (AADS), 1999. Written | ||
+ | for archeologist Nik Lammers, the piano player with the Dutch band The | ||
+ | Little Tinkers. The title is a conscious nod to Pat Shaw's dance for John | ||
+ | Ramsay, "The Amazed Geneticist." 3-COUPLE LONGWAYS A MAJoR 2/4 | ||
+ | 32 BARS AABB 6X 3:32 1ST B: AT 0:18 | ||
+ | 3. Lull Me Beyond Thee The Dancing Master, 1st Ed. (Playford), 1651. The | ||
+ | Playford Ball, 1994. 4-COUPLE LONGWAYS D MINOR 6/8 24 BARS ABB 3X | ||
+ | 1:56 1ST B: AT 0:13 | ||
+ | 4. Argeers The Dancing Master, 1st Ed. (Playford), 1651. The Playford Ball, | ||
+ | 1994. 2 COUPLES BB MAJoR 2/2 32 BARS AABB 3X 1:51 1ST B: AT 0:17 | ||
+ | 5. Hunsdon House The Dancing Master, 3rd Ed. (Playford), 1665. The | ||
+ | Playford Ball, 1994. 4-COUPLE SQuARE C MAJoR 6/8 40 BARS AABBBB 3X | ||
+ | 3:01 1ST B: AT 0:13 | ||
+ | 6. Shrewsbury Lasses Twenty Four Country Dances (Thompson), 1 765. The | ||
+ | Playford Ball, 1994. 3-COUPLE LONGWAYS D MAJoR 2/2 40 BARS AABB 6X | ||
+ | 4:18 1ST B: AT 0:18 | ||
+ | 7. Fain I Would The Dancing Master, 1st Ed. (Playford), 1651. The Playford | ||
+ | Ball, 1994. 4-COUPLE SQuARE. G MINOR 6/8 32 BARS AABB 3X 2:08 1ST B: | ||
+ | AT 0:21 | ||
+ | j8. The MerryAndrew Dance by Marjorie Heffer and William Porter. Maggot | ||
+ | Pie (EFDSS reprint) 1980. First published in the 1930's, Maggot Pie caused | ||
+ | controversy by being a collection of newly-composed dances outside the | ||
+ | repertoire of Cecil Sharp's reconstructions of Playford dances and collections | ||
+ | of traditional dances "officially sponsored" by the English Folk Dance Society. | ||
+ | This track is at the faster tempo; use a skip-change step in the "B" music. | ||
+ | 3-COUPLE LONGWAYS A MINOR 2/2 32 BARS AABB 3X 1:54 1ST B: AT 0:19 | ||
+ | 9.HydePark TheDancingMaster, lstEd (Playford), 1651. ThePlayfordBall, | ||
+ | 1994. 4-COUPLE SQUARE C MAJoR 6/8 24 BARS ABB 3X 1:27 1ST B: | ||
+ | AT 0:()9 | ||
+ | 10. Broom, the Bonny, Bonny Broom The Dancing Master, 1st Ed. | ||
+ | (Playford), 1651. ThePlayfordBall, 1994. New"B"musicbyPhilMerrill,for- | ||
+ | mer Music Director of CDSS. 4-COUPLE LONGWAYS F MAJOR 2/2 32 BARS | ||
+ | AABB 6x 4:18 1ST B: AT 0:22 | ||
+ | 11. Love and a Bottle Twenty Eight New Country Dances For the Year 1710... | ||
+ | compos'd by Mr. Nathaniel Kynaston (Young), 1710. The Fallibroome | ||
+ | Collection, Vol. 2, Bernard J. Bentley (EFDSS), 1965. 3-COUPLE LONGWAYS | ||
+ | G MINOR 6/8 32 BARS MBB 3X 1:47 1ST B: AT 0:19 | ||
+ | 12. The Merry Andrew Dance by Marjorie Heffer and William Porter. | ||
+ | Maggot Pie (EFDSS) 1980. Slow version; stately and elegant. 3-COUPLE | ||
+ | LONGWAYS A MINOR 2/2 32 BARS AABB 3X 2:18 1ST B: AT 0:22 | ||
+ | 13. Chelsea Reach The Dancing Master, 3rd Ed. (Playford), 1665. The | ||
+ | Playford Ball, 1994. Cecil Sharp could not interpret the first figure to fit the | ||
+ | 32-bar tune; his well-known reconstruction requires 48 bars. Though | ||
+ | Playford's publication clearly shows repeat signs for the "A" and "B" music, | ||
+ | Sharp resolved the conundrum by suggesting that the music be played ABAB | ||
+ | throughout the entire dance, obscuring the tune's congruence with the nor- | ||
+ | mal structure of the up-a-double, siding, and arming figures. England's Colin | ||
+ | Hume suggests that a better solution is to play AABBBB for the first figure, | ||
+ | followed by AABB for the subsequent figures. We offer it here. 4-COUPLE | ||
+ | SQuARE F MAJoR 6/8 48 AND 32 BARS AABBBB+(AABB)x2 2:12 1ST B: | ||
+ | AT 0:19 | ||
+ | 14. Leah's Waltz Dance by Fried DeMetz Herman. Tunes: "Amelia" by Bob | ||
+ | McQuillen and "Nancy's Waltz" by Chris Romaine. Ease and Elegance | ||
+ | (Herman), 1995. Fried wrote the dance in 1989 to honor Country Dancers | ||
+ | of Westchester's pianist Leah Barkan. To complement Amelia, Fried chose Jay | ||
+ | Ungar's "Ashokan Farewell" as the second tune, before it was made famous by | ||
+ | Ken Burns's Civil War documentary and Jacqueline's playing on the sound- | ||
+ | track. We thought we'd give that tune a rest, and use Chris Romaine's lovely | ||
+ | waltz instead. 3-CoUPLE LONGWAYS D/AMAJoR 3/4 32 BARS AABB 6x 4:55 | ||
+ | 1ST B: AT 0:24 | ||
+ | 15. Epping Forest The Dancing Master, 4th Ed. (Playford), 1665. The Playford | ||
+ | Ball, 1994. 3-COUPLE ROUND G MINOR 6/8 32 BARS AABC 6x 3:37 1ST B: | ||
+ | AT n 18 | ||
+ | ~/~6. Once a Night Dance: Twenty Four Country Dances (Thompson), 1774. | ||
+ | Music: "Ye Social Powers" (Thompson), 1778. The Playford Ball, 1994. | ||
+ | 3-COUPLE LONGWAYS D MAJOR 6/8 40 BARS MBBC 6X 4:08 1ST B: AT 0:17 | ||
+ | 17. Mrs. Pomeroy's Pavane Dance and tune by Charles Bolton. More of the | ||
+ | Same (Bolton), 1986. Also called "Bridgewater's Gain," this stately dance was | ||
+ | written for Doris Pomeroy, an active member of the Harrow Folk Dance | ||
+ | Club, upon her retirement and move to Bridgewater in Somerset. Note the | ||
+ | unusual two-bar introduction. 3-COUPLE LONGWAYS G MINOR 2/2 32 BARS | ||
+ | AAB 6X 4:05 1ST B: AT 0:23 | ||
+ | ~18. Sir Watkin's Jig A Choice Collection of 200 Favourite Country Dances... | ||
+ | Vol. 5th (Johnson), 1750. Retreads (Bolton), 1985. The dance was written in | ||
+ | 1749 upon the elevation to the title of one Sir Watkin William Wynn, 4th | ||
+ | baronet in a long line that continues to the present. (A Sir Watkin William | ||
+ | Wynne presently resides on the family manor located between Oswestry and | ||
+ | Bala.) Charles Bolton's reconstruction adds a slipping circle to the original | ||
+ | triple minor longways dance. The Band adds some clever imitation figures to | ||
+ | the tune s unusual 10-bar B music. 3-COUPLE LONGWAYS G MAJOR 6/8 36 | ||
+ | BARS AABB 6x 4:00 1ST B: AT 0:19 | ||
+ | 1" 19. Jovial Beggars Dance by Marjorie Heffer and William Porter. Tune from | ||
+ | The Dancing Master, 9th Ed. Appendix (Playford), ca. 1700. Maggot Pie | ||
+ | (EFDSS) 1980. This simple dance also works well as a mixer with more than | ||
+ | three couples in the circular set. 3-COUPLE ROUND. BB MAJOR 6/8 32 BARS | ||
+ | AABB 6X 3:02 1ST B: AT 0:13 | ||
+ | ~/20. Oxford Circus/Parson's Farewell The Dancing Master, 1 st Ed. (Playford), | ||
+ | 1651. "Parson's Farewell" in The Playford Ball, 1994. "Oxford Circus" by Colin | ||
+ | Hume in New Dances for Old (Hume), 1992. Early-music enthusiasts will | ||
+ | recognize the tune as a bourree from Terpsichore. the extensive collection of | ||
+ | 16th-century dance tunes arranged and published by Michael Praetorius | ||
+ | between 157- ~.~oriri wrote his three-coup~e~d~ fit the well- | ||
+ | toved and widely available recording of"Parson's Farewell" made in England | ||
+ | in the 70's by the venerable band Orange and Blue. Ironically, we recorded it | ||
+ | because of requests for the music for"Oxford Circus" and the current | ||
+ | unavailability of that recording in the States. 2 COUPLES, OR 3-COUPLE | ||
+ | LONGWAYS D MINOR 2/2 24 BARS ABB 3X 1:20 1ST B: AT 0:09 | ||
+ | ,/ 21. The Merry, Merry Milkmaids The Dancing Master, 1st Ed. (Playford), | ||
+ | 1651. The Playford Ball, 1994. 4-COUPLE LONGWAYS C MAJoR 6/8 40 BARS | ||
+ | AABB 3X 2:06 1ST B: AT 0:17 | ||
+ | 22. Randolph Farewell Dance by Fried DeMetz Herman. Tune by Tom Siess. | ||
+ | Fringe Benefits (Herman), 1999. Tom wrote the tune in honor o~ Jack and | ||
+ | Genny Shimer, who spent summers at their home in Randolph, New | ||
+ | Hampshire. Tom is currently President of the Country Dance and Song | ||
+ | Society. Genny served as Executive Director of the CDSS, and Fried is one of | ||
+ | America's most celebrated and prolific choreographers. Truly, this is a dance | ||
+ | of, for, and by the English dance community in North America. 3-CoUPLE | ||
+ | ROUND G MAJoR 3/4 32 BARS ABCD 6X 5:10 1ST B: AT 0:18</code> | ||
+ | |||