==== CDS Boston Centre volume 5, At Home ====
Bare Necessities
CD
{|class="wikitable sortable" style="background:#ffffdd;color:black;width:95%;" border="1"
!TrackID!!DanceName!!Timing!!Reps*Bars!!Tunes!!class="unsortable"|Notes
|-
|BN5ah-01||Installation, The|| || || ||
|-
|BN5ah-02||Astonished Archeologist, The|| || || ||
|-
|BN5ah-03||Lull Me Beyond Thee|| || || ||
|-
|BN5ah-04||Argeers|| || || ||
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|BN5ah-05||Hunsdon House|| || || ||
|-
|BN5ah-06||Shrewsbury Lasses|| || || ||
|-
|BN5ah-07||Fain I Would|| || || ||
|-
|BN5ah-08||Merry Andrew, The (regular)|| || || ||
|-
|BN5ah-09||Hyde Park|| || || ||
|-
|BN5ah-10||Broom, the Bonny, Bonny Broom|| || || ||
|-
|BN5ah-11||Love and a Bottle|| || || ||
|-
|BN5ah-12||Merry Andrew, The (slow)|| || || ||
|-
|BN5ah-13||Chelsea Reach|| || || ||
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|BN5ah-14||Leah's Waltz|| || || ||
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|BN5ah-15||Epping Forest|| || || ||
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|BN5ah-16||Once a Night|| || || ||
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|BN5ah-17||Mrs. Pomeroy's Pavane|| || || ||
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|BN5ah-18||Sir Watkin's Jig|| || || ||
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|BN5ah-19||Jovial Beggars|| || || ||
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|BN5ah-20||Oxford Circus/Parson's Farewell|| || || ||
|-
|BN5ah-21||Merry, Merry Milkmaids, The|| || || ||
|-
|BN5ah-22||Randolph Farewell|| || || ||
|-
|}
Return to [[RecordedMusic]]; return to [[CD_Table]]
??? to incorporate in table
1. The Installation Twenty Four Country Dances (Thompson), 1772. The
Playford Ball, Kate Van Winkle Keller and Genevieve Shimer (CDSS), 1994.
3-COUPLE LONGWAYS G MAJOR/MINOR 6/8 64 BARS AABBCCDD 3X 3:23
1ST C: AT 0:32
2. The Astonished Archeologist Dance by Philippe Callens. Tune "Goff Hall"
by Dan Lanier. Continental Capers, Philippe Callens (AADS), 1999. Written
for archeologist Nik Lammers, the piano player with the Dutch band The
Little Tinkers. The title is a conscious nod to Pat Shaw's dance for John
Ramsay, "The Amazed Geneticist." 3-COUPLE LONGWAYS A MAJoR 2/4
32 BARS AABB 6X 3:32 1ST B: AT 0:18
3. Lull Me Beyond Thee The Dancing Master, 1st Ed. (Playford), 1651. The
Playford Ball, 1994. 4-COUPLE LONGWAYS D MINOR 6/8 24 BARS ABB 3X
1:56 1ST B: AT 0:13
4. Argeers The Dancing Master, 1st Ed. (Playford), 1651. The Playford Ball,
1994. 2 COUPLES BB MAJoR 2/2 32 BARS AABB 3X 1:51 1ST B: AT 0:17
5. Hunsdon House The Dancing Master, 3rd Ed. (Playford), 1665. The
Playford Ball, 1994. 4-COUPLE SQuARE C MAJoR 6/8 40 BARS AABBBB 3X
3:01 1ST B: AT 0:13
6. Shrewsbury Lasses Twenty Four Country Dances (Thompson), 1 765. The
Playford Ball, 1994. 3-COUPLE LONGWAYS D MAJoR 2/2 40 BARS AABB 6X
4:18 1ST B: AT 0:18
7. Fain I Would The Dancing Master, 1st Ed. (Playford), 1651. The Playford
Ball, 1994. 4-COUPLE SQuARE. G MINOR 6/8 32 BARS AABB 3X 2:08 1ST B:
AT 0:21
j8. The MerryAndrew Dance by Marjorie Heffer and William Porter. Maggot
Pie (EFDSS reprint) 1980. First published in the 1930's, Maggot Pie caused
controversy by being a collection of newly-composed dances outside the
repertoire of Cecil Sharp's reconstructions of Playford dances and collections
of traditional dances "officially sponsored" by the English Folk Dance Society.
This track is at the faster tempo; use a skip-change step in the "B" music.
3-COUPLE LONGWAYS A MINOR 2/2 32 BARS AABB 3X 1:54 1ST B: AT 0:19
9.HydePark TheDancingMaster, lstEd (Playford), 1651. ThePlayfordBall,
1994. 4-COUPLE SQUARE C MAJoR 6/8 24 BARS ABB 3X 1:27 1ST B:
AT 0:()9
10. Broom, the Bonny, Bonny Broom The Dancing Master, 1st Ed.
(Playford), 1651. ThePlayfordBall, 1994. New"B"musicbyPhilMerrill,for-
mer Music Director of CDSS. 4-COUPLE LONGWAYS F MAJOR 2/2 32 BARS
AABB 6x 4:18 1ST B: AT 0:22
11. Love and a Bottle Twenty Eight New Country Dances For the Year 1710...
compos'd by Mr. Nathaniel Kynaston (Young), 1710. The Fallibroome
Collection, Vol. 2, Bernard J. Bentley (EFDSS), 1965. 3-COUPLE LONGWAYS
G MINOR 6/8 32 BARS MBB 3X 1:47 1ST B: AT 0:19
12. The Merry Andrew Dance by Marjorie Heffer and William Porter.
Maggot Pie (EFDSS) 1980. Slow version; stately and elegant. 3-COUPLE
LONGWAYS A MINOR 2/2 32 BARS AABB 3X 2:18 1ST B: AT 0:22
13. Chelsea Reach The Dancing Master, 3rd Ed. (Playford), 1665. The
Playford Ball, 1994. Cecil Sharp could not interpret the first figure to fit the
32-bar tune; his well-known reconstruction requires 48 bars. Though
Playford's publication clearly shows repeat signs for the "A" and "B" music,
Sharp resolved the conundrum by suggesting that the music be played ABAB
throughout the entire dance, obscuring the tune's congruence with the nor-
mal structure of the up-a-double, siding, and arming figures. England's Colin
Hume suggests that a better solution is to play AABBBB for the first figure,
followed by AABB for the subsequent figures. We offer it here. 4-COUPLE
SQuARE F MAJoR 6/8 48 AND 32 BARS AABBBB+(AABB)x2 2:12 1ST B:
AT 0:19
14. Leah's Waltz Dance by Fried DeMetz Herman. Tunes: "Amelia" by Bob
McQuillen and "Nancy's Waltz" by Chris Romaine. Ease and Elegance
(Herman), 1995. Fried wrote the dance in 1989 to honor Country Dancers
of Westchester's pianist Leah Barkan. To complement Amelia, Fried chose Jay
Ungar's "Ashokan Farewell" as the second tune, before it was made famous by
Ken Burns's Civil War documentary and Jacqueline's playing on the sound-
track. We thought we'd give that tune a rest, and use Chris Romaine's lovely
waltz instead. 3-CoUPLE LONGWAYS D/AMAJoR 3/4 32 BARS AABB 6x 4:55
1ST B: AT 0:24
15. Epping Forest The Dancing Master, 4th Ed. (Playford), 1665. The Playford
Ball, 1994. 3-COUPLE ROUND G MINOR 6/8 32 BARS AABC 6x 3:37 1ST B:
AT n 18
~/~6. Once a Night Dance: Twenty Four Country Dances (Thompson), 1774.
Music: "Ye Social Powers" (Thompson), 1778. The Playford Ball, 1994.
3-COUPLE LONGWAYS D MAJOR 6/8 40 BARS MBBC 6X 4:08 1ST B: AT 0:17
17. Mrs. Pomeroy's Pavane Dance and tune by Charles Bolton. More of the
Same (Bolton), 1986. Also called "Bridgewater's Gain," this stately dance was
written for Doris Pomeroy, an active member of the Harrow Folk Dance
Club, upon her retirement and move to Bridgewater in Somerset. Note the
unusual two-bar introduction. 3-COUPLE LONGWAYS G MINOR 2/2 32 BARS
AAB 6X 4:05 1ST B: AT 0:23
~18. Sir Watkin's Jig A Choice Collection of 200 Favourite Country Dances...
Vol. 5th (Johnson), 1750. Retreads (Bolton), 1985. The dance was written in
1749 upon the elevation to the title of one Sir Watkin William Wynn, 4th
baronet in a long line that continues to the present. (A Sir Watkin William
Wynne presently resides on the family manor located between Oswestry and
Bala.) Charles Bolton's reconstruction adds a slipping circle to the original
triple minor longways dance. The Band adds some clever imitation figures to
the tune s unusual 10-bar B music. 3-COUPLE LONGWAYS G MAJOR 6/8 36
BARS AABB 6x 4:00 1ST B: AT 0:19
1" 19. Jovial Beggars Dance by Marjorie Heffer and William Porter. Tune from
The Dancing Master, 9th Ed. Appendix (Playford), ca. 1700. Maggot Pie
(EFDSS) 1980. This simple dance also works well as a mixer with more than
three couples in the circular set. 3-COUPLE ROUND. BB MAJOR 6/8 32 BARS
AABB 6X 3:02 1ST B: AT 0:13
~/20. Oxford Circus/Parson's Farewell The Dancing Master, 1 st Ed. (Playford),
1651. "Parson's Farewell" in The Playford Ball, 1994. "Oxford Circus" by Colin
Hume in New Dances for Old (Hume), 1992. Early-music enthusiasts will
recognize the tune as a bourree from Terpsichore. the extensive collection of
16th-century dance tunes arranged and published by Michael Praetorius
between 157- ~.~oriri wrote his three-coup~e~d~ fit the well-
toved and widely available recording of"Parson's Farewell" made in England
in the 70's by the venerable band Orange and Blue. Ironically, we recorded it
because of requests for the music for"Oxford Circus" and the current
unavailability of that recording in the States. 2 COUPLES, OR 3-COUPLE
LONGWAYS D MINOR 2/2 24 BARS ABB 3X 1:20 1ST B: AT 0:09
,/ 21. The Merry, Merry Milkmaids The Dancing Master, 1st Ed. (Playford),
1651. The Playford Ball, 1994. 4-COUPLE LONGWAYS C MAJoR 6/8 40 BARS
AABB 3X 2:06 1ST B: AT 0:17
22. Randolph Farewell Dance by Fried DeMetz Herman. Tune by Tom Siess.
Fringe Benefits (Herman), 1999. Tom wrote the tune in honor o~ Jack and
Genny Shimer, who spent summers at their home in Randolph, New
Hampshire. Tom is currently President of the Country Dance and Song
Society. Genny served as Executive Director of the CDSS, and Fried is one of
America's most celebrated and prolific choreographers. Truly, this is a dance
of, for, and by the English dance community in North America. 3-CoUPLE
ROUND G MAJoR 3/4 32 BARS ABCD 6X 5:10 1ST B: AT 0:18