ins_newcastle
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| ins_newcastle [2019/04/24 00:22] – created - external edit 127.0.0.1 | ins_newcastle [2026/10/19 18:08] (current) – [1640 Manuscript version] nashjc | ||
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| ====== Newcastle ====== | ====== Newcastle ====== | ||
| As in "The Playford Ball" | As in "The Playford Ball" | ||
| + | Cecil Sharp, 1911\\ | ||
| Square for 4 couples\\ | Square for 4 couples\\ | ||
| Recordings: {{ :: | Recordings: {{ :: | ||
| Line 7: | Line 8: | ||
| {{ :: | {{ :: | ||
| + | ==== Overview ==== | ||
| + | |||
| + | **// | ||
| + | Although the town of Newcastle was an important | ||
| + | source of coal for London, it is quite possible that this | ||
| + | elegant dance was inspired by William, Duke of | ||
| + | Newcastle, a royalist who remained in London and bent | ||
| + | his interests towards the theatre during the interregnum. | ||
| + | |||
| + | {{: | ||
| + | |||
| + | In 2026 we became aware of a c. 1640 manuscript version of this dance in the British Library collection thanks to the website of Andrew Swayne (https:// | ||
| + | |||
| + | ==== Cecil Sharp reconstruction ==== | ||
| + | |||
| + | In 1911 (with revision in 1922), Cecil Sharp reconstructed the original round dance for 8 into the square dance below. | ||
| Line 46: | Line 63: | ||
| - | See an [[http:// | + | See an [[http:// |
| - | Newcastle | + | ==== Newcastle |
| + | |||
| + | Round for eight | ||
| < | < | ||
| Line 61: | Line 80: | ||
| | | ||
| and make arches facing out. | and make arches facing out. | ||
| - | | + | |
| - | back | + | |
| | | ||
| | | ||
| - | | + | |
| - | together; | + | |
| original heads at ends of line, lady left of current partner). | original heads at ends of line, lady left of current partner). | ||
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| - | + | | |
| - | | + | |
| - | Newcastle | + | ==== 1640 Manuscript version ==== |
| - | | + | |
| + | A 1640 manuscript version of **//Newcastle//** was called by Jamie Hargrove for our Ottawa group on October 16, 2026. See https:// | ||
| + | |||
| + | On a personal level I find this version has a more natural rhythm and flow than the Sharp 1911/1922 reconstruction. | ||
| + | |||
| + | Note that https:// | ||
| + | |||
| + | Note: Define head couples to be either facing toward or away from the music. | ||
| < | < | ||
| - | | + | Part 1 |
| - | | + | A1 (8) With hands, |
| - | while women skip round them, clockwise to places. | + | To the centre, set and turn single (4) |
| - | | + | A2 (8) With hands, circle |
| - | while men skip round them, anticlockwise to places. | + | To the centre, set and turn single (4) |
| - | Partners side; step R and honour, pass on. Side with the next, step and honour, pass on. | + | B1 (8) RH turn partner just over once to put the men in the middle (4) |
| - | Original head couples | + | Men LH star halfway while women go round the outside clockwise halfway, |
| - | | + | Finish |
| - | original side couples cast round, through arches | + | B2 (8) L hand turn your partner just over once (4) |
| - | Repeat with side couples making | + | Women RH star halfway while men go round the outside anticlockwise halfway, |
| - | Arm R with next; arm L 3/2 and pass on. | + | Finish |
| - | | + | |
| - | close together, original heads at ends of lines. | + | |
| - | Join hands in lines and fall back a double, forward a double; | + | |
| - | | + | |
| - | and form lines across | + | |
| - | Fall back in lines, come forward; turn single and | + | |
| - | cross over with opposites to original places.</ | + | |
| + | Part 2 | ||
| + | A1 (8) Side right your partner (4) | ||
| + | | ||
| + | (This could be done "hole in the wall" style.) | ||
| + | A2 (8) Side left with the next person around the set (4) | ||
| + | | ||
| + | B1 (8) New head couples lead in to meet (2) | ||
| + | Heads lead their opposite away from their (current) partner, | ||
| + | | ||
| + | B2 (8) Sides repeat this figure. | ||
| + | Part 3 | ||
| + | A1 (8) RH turn your current partner and fall back to face them (4) | ||
| + | | ||
| + | A2 (8) LH turn with the next person around the set and fall back to face them (4) | ||
| + | | ||
| + | | ||
| + | | ||
| + | B1 (8) Lines of 4 go forwards a double, fall back, and pass through R shoulder, | ||
| + | with those who would become head couples joining end of lines UP and DOWN | ||
| + | hall. (4) Note that women are on the RIGHT of the men. | ||
| + | B2 (8) Lines of 4 go forwards a double, fall back and pass through R shoulder to | ||
| + | form ORIGINAL square set with original partners. (4) | ||
| + | </ | ||
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