ins_laisteridge_lane
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| + | ====== LAISTERIDGE LANE ====== | ||
| + | Duple Minor Longways\\ | ||
| + | Historical English Style\\ | ||
| + | Double Progression\\ | ||
| + | Tune: LAISTERIDGE LANE | ||
| + | < | ||
| + | Begin with dancer in lines of four facing up the hall as follows: | ||
| + | ↑ M1 M2 W2 W1 ↑ | ||
| + | Al Lines of four up a double and fall back. | ||
| + | A2 That again : | ||
| + | B1 1-4 All face partner. Change with partner by the right | ||
| + | | ||
| + | 5-8 All go back to back with partner. | ||
| + | |||
| + | First Couple | ||
| + | 1-4 Two-hand turn halfway | ||
| + | 5-8 and lead down one place. | ||
| + | |||
| + | 5-8 Face up and cast down Two-hand fun | ||
| + | | ||
| + | line of four. up another place | ||
| + | to new line of four. | ||
| + | </ | ||
| + | |||
| + | Video: https:// | ||
| + | MUSIC: «Kettledrum” from Playford’s First Edition.\\ | ||
| + | |||
| + | Teaching Point 1.\\ Emphasize for dancers that in B2 everyone | ||
| + | passes £10 couples and then links up with the third. Also emphasize | ||
| + | the phrasing. There is a full eight beats for the casts. | ||
| + | |||
| + | Teaching Point 2:\\ This dance is easiest to do when there is an | ||
| + | even number of couples in the set, in which case there is never | ||
| + | any waiting out. When the “twos” reach the top, they just do | ||
| + | their two-hand turn halfway and (instead of leading up) immediately | ||
| + | cast down to join the ends of new line. When “ones” reach | ||
| + | the bottom, they do a full two-hand turn (or just wait a moment) | ||
| + | and lead up into the middle of a new line. With an odd number | ||
| + | of couples in the set, there will always be one couple waiting at | ||
| + | the bottom. | ||
| + | |||
| + | ====== RETURN TO LAISTERIDGE LANE ====== | ||
| + | |||
| + | Duple Minor Longways\\ | ||
| + | Historical English Style\\ | ||
| + | Double Progression | ||
| + | < | ||
| + | Here is an alternative B2 for Laisteridge Lane: | ||
| + | |||
| + | B2 1-4 First corner people (in second corner positions) | ||
| + | | ||
| + | | ||
| + | |||
| + | 5-8 Everyone two-hand turn once around with partner; | ||
| + | first couple cast down one place, while | ||
| + | second couple leads up one place (into second | ||
| + | progressed positions) to form new lines of fo | ||
| + | and begin again.</ | ||
| + | | ||
| + | In the original Laisteridge Lane, B2 is a rapid double progression | ||
| + | that people seem to like very much when they can master | ||
| + | it. The problem is that many dancers never quite get it. I had | ||
| + | resigned myself to the fact that the dance would forever be a | ||
| + | cultivated taste-not for everyone, until I heard the music for | ||
| + | the dance on the Old Friends CD. It’s wonderful! It absolutely | ||
| + | demands that you get up and dance. I thought it was a | ||
| + | pity to waste all that good musical energy on something that | ||
| + | was not too accessible—hence this alternative B2. It is still a | ||
| + | double progression, | ||
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| + | | ||
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