Differences

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--- ins_greensleeves_and_yellow_lace [2023/04/16 02:32] – created - external edit 127.0.0.1
+++ ins_greensleeves_and_yellow_lace [2026/05/18 12:39] (current) – nashjc
@@ Line 1: / Line 1: @@
-====== Greensleeves and Yellow Lace ======
+====== Green Sleeves and Yellow Lace ======
 couple longways proper\\
-Playford 1721. Douglas and Helen Kennedy 1929. \\
+Playford 1721. \\
-Tune: Greensleeves and Yellow Lace and Green sleeves and Yellow Lace\\
+Douglas and Helen Kennedy 1929. \\
+Tune: Greensleeves and Yellow Lace\\
 <code>
 A1 1-4  1st couple set and cast into 2nd place, 2nd couple move up.
@@ Line 8: / Line 9: @@
 A2 1-4  Again 1st couple set and cast and 2nd couple move up.
 -8  2nd couple set and turn single upward (1s stay put).
-B1 1-8  1st man figure-8 through 3rd couple (anticlockwise round woman),
+B1 1-8  1st man figure-8 through 3rd couple (L Shoulder to 3rd woman),
-st woman (starting after her partner)
+st woman figure-8 through 2nd couple (L Shoulder to 2nd man).
-        figure-8 through 2nd couple (clockwise round man).
+B2 1-8  First couple pass R and do full figure eights through the other end
-B2 1-8  First couple individually do full figure eights through the other ends (to their lefts),
+        couples, 1st man passes 2nd woman R shoulder, 1st woman passes 3rd man
-        ending passing each other right shoulder to the centreline and face right.
+        R shoulder,
 A3 1-8  1st man hands-3 with 3rd couple 1 1/2,
         while 1st woman the same with 2nd couple;
-st couple pass R shoulder,
+st couple pass R shoulder and through end couples
+        to face into set.
 A4 1-8  Hands-3 at opposite ends of set;
 st couple pass R shoulder and go into 2nd place.
 B3 1-8  1st man hey with 3rd couple (passing 3rd woman L) while
 st woman hey with 2nd couple (passing 2nd man L).
-B4 1-8  1st couple hey at opposite ends,
+B4 1-8  1st couple R shoulder hey at opposite ends,
 st couple lead down to 3rd place, as the 3rd couple moves up.
 Da capo, 2nd couple leading; then 3rd couple.
@@ Line 26: / Line 28: @@
-See an [[http://www.dancekaleidoscope.org.au/dance.html#Greensleeves|animation of this dance]] [[Image:SvgLogoSmall.png]].
+See an [[https://upadouble.info/dance.php?id=GreenSleevesAndYellowLace|animation of this dance]].
+or [[http://www.dancekaleidoscope.au/dance.html#GreenSleevesAndYellowLace | a slightly different version]]
+The dance takes its title from the first line of the third
+verse of a lyric collected by David Herd in the 1760
+**LVII Green Sleeves.**\\
+Green sleeves and pudden-pyes, come Tell me where my true love lyes\\
+Green sleeves and yellow lace, Maids, maids, come, marry apace!
+**GREEN SLEEVES AND YELLOW LACE**\\
+Several versions of a dance to "Green Sleeves" were
+published in this period. "Green Sleeves and Pudding
+Pies" appears in DM I: 1686-1716. Walsh borrowed it
+for his 1718 publication, so John Young replaced the
+dance figures in his 1721 edition and changed the title. It
+is this latter dance, with some modifications, that the
+Kennedys chose to reconstruct. Feuillet published a much
+simpler dance in his Recuéil of 1706, calling it "Les
+Manches Vertes," and Pat Shaw reconstructed this dance
+in the 1960's. The tune "Green Sleeves" had many
+names in the eighteenth century, most prominent among
+them being "The Blacksmith” Of Which nobody can
+deny,”